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- INTRODUCTION
- The intent of this book trilogy is to "establish" and "preserve" these myths and legends for future generations,
written as bed-time stories, many of these "myths" and "legends" contain advanced technologies and mechanical processes
that have been converted into story mode, many "modern" day items and gadgets were added to these stories so that they
would be educational, user-friendly and easily relatable to children,
these bed-time stories or ancient legends may be handed down to children from generation to generation.
- This "keep-sake" or "remembrance" was written with many of the traditions of the Americas that may have an important
community or social meaning, the author has gone through much effort to research and collect all of the content for these symbolic stories
(which means that the people and events in them represent "concepts" or "ideas"), the intent of this book trilogy is to "update" and "compile" all of the world
pantheons and belief systems, there is also a *clarification of the "symbolic designations" that appeared in the existing myths and legends,
and how they might relate to the new "dimensional concepts" or "elemental domains" that have been included.
- To write these stories a vast amount of research material and historical content were accessed,
the names of some ancient gods or goddesses were sometimes "borrowed" from the original culture or society
that created them, and several of these bed-time stories were written with new gods and goddesses that live in wonderful
and magical places that have never been seen before, these bed-time stories were written for and originally appeared
in "The Pantheon Of American Gods And Goddesses", and they were "set forth" as part of the basic hierarchy and
structure of the "The American Mythology", these bed-time stories appear here by *permission of the author.
- (author statement)
=============
THE TITLE OF THIS BOOK
INTRODUCTION
CONTENTS OF THIS BOOK =============
=============
- Contents:
// The Journey To The Stars (The Ebook Version)
// The Pantheon Of American Gods And Goddesses (The Official Version)
// The Nine Gates Of Hell (The Modern Version) =============
=============
start of book one // The Journey To The Stars (The Ebook Version)
=============
Revised And Updated - 03.11.2024
THE JOURNEY TO THE STARS
Written By Roberto S. Jimenez
------------
Eleven Ancient Legends That Chronicle The
Journeys And Adventures Of The Three Fates And
Form The Basis Of The American Mythology
- LIST OF STORIES
- 1 - THE LEGEND OF BI-FROST (THE AMERICAN VERSION)
- 2 - THE HEART OF DARKNESS (THE "DECEPTION" OF CHRYSTOS)
- 3 - THE LEGEND OF THE THREE FATES (THE AMERICAN VERSION)
- 4 - AND THERE-IN, A TWIST OF FATE (THE THREE FATES MEET THEIR MOTHER)
- 5 - THE STORY OF POLYTECHNUS (THE AMERICAN VERSION)
- 6 - A DAY SPENT AT THE LIBRARY - PART 1 (THE THREE FATES IN "BREAKIN' ALL THE RULES")
- 7 - A DAY SPENT AT THE LIBRARY - PART 2 (THE GODDESS OF THE DESERT SHRINE)
- 8 - THE GOLDEN BOOK (THE AMERICAN VERSION)
- 9 - ERIN'S STORY - PART 1 (THE PATH OR WAY FORWARD)
- 10 - ERIN'S STORY - PART 2 (THE JOURNEY TO THE STARS)
- 11 - THE LEGEND OF STARFIRE (THE AMERICAN VERSION)
=============
=============
- *THIS STORY WAS
WRITTEN FOR "THE PANTHEON OF AMERICAN GODS AND GODDESSES", AND IS *SET
FORTH AS PART OF THE BASIC HIERARCHY AND STRUCTURE THERE-OF, THIS "STORY"
APPEARS HERE BY *PERMISSION OF THE AUTHOR.
- (A BED-TIME STORY)
THE LEGEND OF BI-FROST- "THE AMERICAN VERSION", ...
-
Razielle, the god of the Afterlife began, "one day on our journeys and
travels to the outer-realms and dimensions, our ship (the Primus) did one
day arrive at a massive sea-port, and there, high upon the *stone-cliffs a
stone fortress and battlements could be seen, a *fierce inter-stellar
battle had occurred here, in that *time, Polytechnus was the Captain of
our Ship and we had *arrived too late to bear witness to the destruction",
..
- Razielle continued, "Port Royal now lay in *shambles, and all
of the *warriors had fought and died to the last man, and it was *believed
that all was lost, Razielle and the others make their way through the
town square, all is quiet, there beyond the center of town, there were
some buildings that were part of the *caves or *stone cliff-face that were
a part of this region", ...
- "they make their way to the *last
building along the pass, dozens and dozens of dead warriors lay strewn
about, but, they were all dead, Razielle continues on, and soon comes to
stand before the *refuge or *sanctuary of those that had been the people
who had lived in this village", ..
- Razielle enters into the
small building, but all is *quiet, looking through the fallen warriors, he
*sees the fallen form of a warrior who was still alive, it was *Bi-Frost,
but he now lay dying, Razielle could hear the *muted voices of small
children and the women of the village who were concealed behind a *wooden
door that Bi-Frost now lay before, he had *saved the women and small
children of the village, but he could go on no more, ...
=============
- Razielle sets down his equipment bag and
comes to *stand before the fallen warrior, then *kneels and places his
hand to the face of the *fallen warrior, tears begin to fall from his
eyes, and time begins to *slow, the crushing or breaking of fractals can
only be heard by "one", and in Razielle's *sorrow, all of time comes to a
stand-still, Bi-Frost sees a *bright light and what "appear" to be two
massive *angel wings that float down to cover him, Bi-Frost closes his
eyes and begins to dream, ..
- Razielle, the god of the Afterlife
looks through the stack of lens or viewing glasses, but he cannot find an
exact match, but *one of the lenses does allow Razielle to *see the spirit
form of Bi-Frost, the "lens" was from an *ancient machine planet, Razielle
*mumbles softly to himself, "it will have to do", ...
- Razielle
does his best to *shape or *form a humanoid type creature, but, when
finished it looked like a "Metal Robot", ..
- Setting the *techno
blade to the side, Razielle uses his hands to install the special lense he
found on the Machine World, ..
- (Razielle, sees something strange
within the *panes and *fractals that are part of the *construction of the
visor lense, and "knows" that in all future *times, when Bi-Frost surveys
the *expanse before him, that there shall be something "un-known" in the
*double refraction of the visor that will allow Bi-Frost to *see through
all that was, or all that will ever be), ..
- The front of the
*giant robot opens to accept a humanoid like form, ..
- Razielle
walked over to where Bi-Frost lay in his final state, he takes the
"Raccoon Badge" that was *pinned on the chest of Bi-Frost and placed it on
a small *kerchief, Razielle then placed it around the neck of Bi-Frost, ..
- Razielle, the god of the Afterlife carries Bi-Frost to the large
metal robot that looks like a *casket, and lays the form within the
*vessel, ..
- The metal robot "closed" and "sealed" itself, the
*physical form of Bi-Frost would now become part of the metal *machine
form, and in a future time, the metal robot form would appear as *seamless
durillium to encase the fallen hero, ..
=============
- Now,
finished with the transformation, Razielle raises his hands upwards and to
the sides, as *spirit energy is drawn in from all sides, the energy is
*funneled into the large metal robot, causing it to glow, there were some
greenish-blue sparks and a few *orbs that leapt from the large metal
robot, but it *holds its form, Razielle claps his hands together with a
*blinding flash, all matter and space *inverts as "time" itself begins to
move forward again, ..
- The room swirls and images blend into
one, a *rumbling is heard as "sound" re-enters the *space, the sound of
children laughing or playing again is heard, and the sounds of birds as
they *chatter and *twitter away, the "robot" begins to move, and sits
upright, looking to the right and left through the strange lens, before
him he sees a *massive creature of perhaps twenty feet in *height or more,
large beautiful wings are *re-tracted behind the "beast" but they are not
*brilliant white and gleaming like the "ones" Bi-Frost had seen in his
*dream, Bi-Frost, a bit groggy said, "where am I?", ...
-
Razielle, the god of the Afterlife, said, "you have entered unto the
Spirit Realms and have been set to task, i am the *Lord and *Sovereign of
the Ethereal Realms, in this *time, you shall become the *guardian of the
Rainbow Bridge", ..
- Bi-Frost said, "but what of my previous
life, what of my future?", ...
- Razielle, the god of the
Afterlife said, "that journey has come to an end, you were *killed in
battle, but you were *not defeated, the women and children of the village
were *saved, that you should *sacrifice your life for those that were left
behind, you died a *hero, but you did not seek reward, your *journey has
not gone un-noticed by *one, as your Spirit Guide, i will travel with you
to the *end of the Rainbow", ...
- "there, you will become the
*minion of Stella, the Goddess of the Stars, who is the *Goddess of the
*beautiful realm and dimension that lies *beyond the "Rainbow Bridge", at
the *Stone-Gate that serves as the Bridge between two worlds, a *Giant
Guardian shall be seen standing at the base of the *Stone Towers that
serve as the entry-way, at the gate of the Rainbow Bridge you will become
*her champion, that it shall be your *duty to guard the dimensional
gate-way between the "Sky-Realms" and the "Star-Realms", that *no one may
pass who is not of *divine origin or a *servant of the Lord", ..
-- bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
-- bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
- The air is cool and crisp as Razielle, the god of the Afterlife
steps out into the *night air, finding a *smooth flat area upon the
ground, Razielle places a geographical *map of the Desert region in front of him,
he *looks at the Stars, then taking a *sheet of clear plastic and a *magic marker he begins
to "draw" the pattern of the Stars and the *constellation he sees in the "skies" above, ..
- Razielle then takes the *clear sheet of plastic that now shows the *termination or *end points of the constellation
structure and lays it upon the geographical *map, the names that had been *given to the lands
that are displayed are of no *concern to the god of the Afterlife, he looks at
the shape or alignment of the pyramid structures and the shape or
alignment of the *three Stars that are represented by *Orion's Belt, but they do not match, ...
- Razielle takes the *clear piece of
plastic and "flips" it over, he then *re-aligns the three pyramid
shapes with the three shapes that *comprise the structure of *Orion's
Belt, this *new alignment shows several *distant and *remote locations,
looking closely at the map, Razielle can see the "ancient" name that was given to
the *place or *region of the desert of where the *map had led, ..
- Across the *land and across the *valleys Razielle "treks" to the long *lost location, clearing the top of the *rise,
Razielle sees the *shape of sand-dunes that no longer follow the pattern
of the tidal *waves that once "ebbed" and "flowed" across the near-by *Sea, ...
- Many of the *stone Temples and Shrines of this region would one day
reveal the lost *knowledge of once long ago, looking close Razielle can
see what "appear" to be ancient symbols on the *stone columns and
fulisades, these "ancient" symbols were *carved long ago, and it was *believed
that they were some kind of *message for any other Gods or Goddesses
that might happen to *journey to these long forgotten realms, Razielle walks
forward and places his hand upon one of the stone *monoliths, of this
shape and form was of *sovereign design, he pauses for a *moment, as all
images begin to *unwind to a place of long before, ..
- [cut-scene]
- "far out to sea, two small vessels slowly sailed to the horizon, the *Queen
stands on one of the decks, she watches as her beautiful castle *sinks beneath the waves,
the empire that once was *vanishes forever as the land fades from view", ...
- "the land of the "far row", the last Queen of Atlantis (Annatollia) sets sail with the *remainder of
the mechanical knowledge that could be *salvaged", ...
- "Khano unloads all of
the stone tablets and places them on the shore, this *land was half-way
around the world, and to the *ancient Polynesians and Phoenicians, it was known as", ..
- "now, this desert region was the *last refuge for those of the
*royal family that were left behind, that they would start *anew in this
strange land, in a future time, there would be no clue as to who the
*sovereign lord was, but, each first born son or daughter would bear the name of the legacy that
was left behind, *Pharoah, here by the cool waters, only *one would know
of the origin, and of the *great fish that still roam the *frozen waters
of his child-hood, now, only the *laviathans of the massive river *delta
would bear a *mark or have a *remembrance of events that had *transpired long
ago", ...
- [end cut-scene]
- Brushing away the dust and
dirt, Razielle stands and walks into the *empty Desert, here in the deep
Desert, only the *great sand worms dare to venture, climbing to the top
of the massive *Sand Dune, Razielle looks upon the *region that was lost
long ago, the *temple stones lay *crumpled or *strewn about, at the end
of the *plateau he finds the dry-wash, not even a *thorn or *thistle bush
to mark the location, Razielle finds the *ancient structure, the opening
is not large, but now filled with sand, the floods or tide-waters must
have left this *reminder, peering into the darkness, he can see that some
of the *interior braces and struts look like they came from *one of the
Machine Worlds?, he follows the structure along the *seamless hull, ..
- This *vessel or *satellite must have drifted for millenia
through the inner-core systems, but of how far and of how long the
journey would never be *known, here, across the expanse, it had found its
way here, to "appear" before one, ...
- Razielle uses his hands to
*tunnel or *burrow through the soft earth, in *time he makes his way to
the central chamber, there upon the wall *resides the "symbol" of the
ancient traveller, of *one who had completed the "far row" on a journey to
these lost regions or realms, a "statue" that appeared to made out of *solid durillium stood in the *center of the
room, there behind, a *Stone Steela displayed the *symbol of the place or region of *origin,
an outline of a "Stone Pyramid" could be seen on the crest or shield, ..
- "there below, the mark or sign of the
*fallen one, Razielle does his best to hold back the tears, but feels a
strange sensation as the *Etherion Wave washes over him, drawing forth a deep
breath, he places his hand on the *massive block of stone, of how long it
had *stood here, it would *never be known, but, this stone had *magical
properties, that there was *electrical data that was stored within, well,
it almost seemed as if", ...
- Razielle now *understood, this was
the ancient legend that did manifest "upon" the terra forma, once long
ago, ..
- Razielle, the god of the Afterlife *kneels before the
*structure, brushing away the *broken fragments and debris, but only *one
shard or fragment remained, the text on the stone was weathered and worn,
but it could still be read, it said, "starfire", Razielle searched
through the *rubble for the rest of the story or legend, but the *stone
tablets had turned to dust, ..
- (THE END)
- "and now, the
*time has come for all good boys and girls to go to sleep, for this is the
end of the story"
- (the end, of *this bed-time story)
--
a "hug" and a "kiss", before getting tucked in, and then soft foot-steps
walking away, then darkness, --
=============
=============
======================================================================
======================================================================
======================================================================
- ERIN'S STORY - SOURCE - "ERINYES", "FATES", "FURIES", ...
-
- FATIMA, THE GODDESS OF FATE ................................ (THE GODDESS OF PAST FATE)
-
- CHRONOS, THE GOD OF TIME ......................................... (THE GOD OF PRESENT TIME)
-
- DESTINA, THE GODDESS OF FUTURE .......... (THE GODDESS OF FUTURE DESTINY)
-
- Completed: 2:20 PM 5/30/2014 (The Pantheon Of American Gods And Goddesses)
-
- Completed: 9:51 PM 12/16/2014 (The Journey To The Stars - The Ebook Version)
-
- Ebook Cover Design: FreePhotosBank.com - Copyright © 2004
======================================================================
======================================================================
======================================================================
=============
=============
=============
end of book one // The Journey To The Stars (The Hardcover Version)
start of book two // The Pantheon Of American Gods And Goddesses (The Official Version)
=============
AA33AA Revised And Updated - 12/15/2023 ZZ77ZZ
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A SMALL GROUP OF AMERICANS (WE THE PEOPLE) HAVE BEGUN WORK ON THIS PROJECT,
BUT YOUR HELP IS ALSO NEEDED, PERSONS THAT WANT TO HELP OR PARTICIPATE CAN DO SO, YOU
MAY BEGIN POSTING ADDITIONAL INFORMATION ON FACEBOOK AND TWITTER ON OR AFTER JUNE 21ST,
2013 - THESE STORIES AND TRADITIONS ARE PART OF THE AMERICAN WAY OF LIFE, THE INTENT OF
THIS PROJECT IS TO "PRESERVE" THESE MYTHS AND LEGENDS FOR FUTURE GENERATIONS
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CC22CC BB33BB THIS WEB-BOOK CAN BE UPDATED WITH INFORMATION
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RR7777RR BB33BB INTRODUCTION BB55BB
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RR7777RR BB33BB Where did Myths come from?BB55BB - For centuries, people have wondered where myths came from, scholars have suggested that
all myths are based on historical events and that the originals facts have been exaggerated as time passed.
- More recently, scholars have developed another theory, that all myths were originally symbolic stories (which means the
people and events in them represent "concepts" or "ideas").
- This journal, the "Pantheon Of American Gods and Goddesses" is a "compilation" and "update" of all of the world pantheons
and belief systems, there is also a *clarification of the "symbolic designations" that appeared in the existing
ancient myths and legends, and how they might relate to the new "dimensional concepts" or new "elemental domains" that have been included.
RR7777RR
RR7777RR BB33BB What is a Myth?BB55BB - The word "myth" comes from the Greek word, "Mythos", which means "a spoken or written story".
- People often think of a myth as simply a story, but this is not the complete picture. - A myth is a story with a purpose,
generally, a myth tries to explain the way the world is, or the relationship between Gods and Goddesses and Human Beings.
- Although the events that occur may seem impossible, the message behind the story may have an important community or
social meaning. - The "message" sets the myth apart from "ordinary" stories.
- Myths were developed so that people could make sense of (understand) the things that happened to them,
since the beginning of time, some Cultures or Civilizations have handed down these legends from generation to generation,
that is why every society has had its own collection of myths, known as its "Mythology".
RR7777RR
RR7777RR BB33BB Why do Myths survive?BB55BB - Some myths have survived for thousands of years, one reason for this, is that in most
societies, myth plays an important role in Community. - Myths confirm people's beliefs and preserve them for future
generations, many such ancient stories (myths), were recorded as symbols and pictures, or were written down or passed on
by word of mouth.
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